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Wednesday, 11 October 2006 22:13
                                               Save our Dances

                                        A world-wide program of the CID,

                      recording and promoting the traditional dance repertoire




 
1. Objectives

The first objective of the program is to record the dance repertoire of a village or a group of villages. The second
 
objective is to make this repertoire known at an international level by utilizing the network of the CID. The third

object is to show that local actors can take the promotion of local culture in their hands.


 
2. Medium

The final product is a video cassette or DVD. Quality of recording should be as good as possible, preferably of a

standard accepted by TV stations. Video cassettes are accompanied by a booklet in English or French.


 
3. Content

The program records the entire dance repertoire as faithfully as possible, preferably executed by aged dancers,

who have not learned the dances from a teacher but through the traditional process of immersion. It can also

contain scenes from customs or other information on the social setting. Production is carried out by a team of CID

members, to ensure compliance to the guidelines. Dance historians, ethnographers or other specialists should

be used as consultants, to ensure the faithful reproduction of dances, music, costume, customs etc.


 
4. Accreditation

Once the product is completed, a certified copy is sent to the review committee, which decides upon acceptance

in the series. If accepted, it is given a number which will appear on the cover, together with the mention "Save our

Dances series of the International Dance Council CID".


 
5. Promotion

The CID will post on its website information on each production included in the series and will use all its channels

to present the series worldwide on a regular basis. It receives a quantity of copies in English or French for

international promotion.


 
6. Financial

Production is financed by the producer, who then sells the product directly; there is no financial participation by

the CID, which directs all prospective buyers to the producer.

 
7. Patronage

There is a high possibility that the series will be taken under the auspices of the UNESCO. In this case its

prestige and audience will be multiplied.


 
Last Updated ( Wednesday, 24 March 2010 14:59 )